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Jason Aldean xxxx Night Train Tour Dates & Concert Tickets
The deficiencies of Japanese depth-charge tactics were revealed in a press conference held by U.S. Congressman Andrew J. May, a member of the House Military Affairs Committee who had visited the Pacific theater and received many intelligence and operational briefings. Incredibly, May mentioned the highly sensitive fact that American submarines had a high survivability rate because Japanese depth charges were fuzed to explode at too shallow a depth.Various press associations sent this leaked news story over their wires, compounding the danger, and many newspapers (including one in Honolulu, Hawaii) published it. Soon, Japanese forces were resetting their depth charges to explode at a more effective average depth of 75 m (250 feet), to the detriment of American submariners. Vice Admiral Charles A. Lockwood, commander of the U.S. submarine fleet in the Pacific, later estimated that May's revelation cost the United States Navy as many as ten submarines and 800 seamen killed in action.16 For the reasons expressed above, the depth charge was generally replaced as an anti-submarine weapon. Initially, this was by ahead-throwing weapons such as the British-developed Hedgehog and later Squid. These weapons threw a pattern of warheads ahead of the attacking vessel to bracket a submerged contact. Hedgehog was contact fuzed, while Squid fired a pattern of three large (200 kg) depth-charges with clockwork detonators. Later developments included the Mark 24 "Fido" acoustic homing torpedo (and later such weapons), and the SUBROC, which was armed with a nuclear depth charge. The USSR, United States and United Kingdom developed anti-submarine weapons using nuclear warheads, sometimes referred to as nuclear depth bombs (NDBs).The high explosive in a depth charge undergoes a rapid chemical reaction at an approximate rate of 8,000 meters per second (25,000 ft/s). The gaseous products of that reaction momentarily occupy the volume previously occupied by the solid explosive, but at very high pressure. This pressure is the source of the damage and is proportional to the explosive density and the square of the detonation velocity. A depth charge gas bubble expands to reach the pressure of the surrounding water.[17]This gas expansion propagates a shock wave. The density difference of the expanding gas bubble from the surrounding water causes the bubble to rise toward the surface. Unless the explosion is shallow enough to vent the gas bubble to the atmosphere during its initial expansion, the momentum of water moving away from the gas bubble will create a gaseous void of lower pressure than the surrounding water. Surrounding water pressure then collapses the gas bubble with inward momentum causing excess pressure within the gas bubble. Re-expansion of the gas bubble then propagates another potentially damaging shock wave. Cyclical expansion and contraction continues until the gas bubble vents to the atmosphere.[17]Consequently, explosions where the depth charge is detonated at a shallow depth and the gas bubble vents into the atmosphere very soon after the detonation are quite ineffective, even though they are more dramatic and therefore preferred in movies. A sign of an effective detonation depth is that the surface just slightly rises and only after a while vents into a water burst.Very large depth charges, including nuclear weapons, may be detonated at sufficient depth to create multiple damaging shock waves. Such depth charges can also cause damage at longer distances, if reflected shock waves from the ocean floor or surface converge to amplify radial shock waves. Submarines or surface ships may be damaged if operating in the convergence zones of their own depth-charge detonations.[17]The damage that an underwater explosion inflicts on a submarine comes from a primary and a secondary shock wave. The primary shock wave is the initial shock wave from the depth charge, and will cause damage to personnel and equipment inside the submarine if detonated close enough. The secondary shock wave is a result from the cyclical expansion and contraction of the gas bubble and will bend the submarine back and forth and cause catastrophic hull breach, in a way that can be best described as bending a plastic ruler back and forth until it snaps. Up to sixteen cycles of the secondary shock wave have been recorded in tests. The effect of the secondary shock wave can be reinforced if another depth charge detonates on the other side of the hull in a close proximity in time of the first detonation, which is why depth charges normally are launched in pairs with different pre-set detonation depths.The killing radius of a depth charge depends on the depth of detonation, the proximity of detonation to the submarine, the payload of the depth charge and the size and strength of the submarine hull. A depth charge of approximately 100 kg of TNT (400 MJ) would normally have a killing radius (hull breach) of only 3?4 meters (10?13 ft) against a conventional xxxx-ton submarine, while the disablement radius (where the submarine is not sunk but put out of commission) would be approximately 8?10 meters (26?33 ft). A higher payload only increases the radius by a few meters because the effect of an underwater explosion decreases with the distance cubed.Bengali literature is the Charyapada, a collection of Buddhist mystic songs dating back to the 10th and 11th centuries. Thereafter, the timeline of Bengali literature is divided into two periods - medieval (xxxx-xxxx) and modern (after xxxx).Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures (e.g. Mangalkavya), Islamic epics (e.g. works of Syed Sultan and Abdul Hakim), translations of Sanskrit, Arabic and Persian texts, Vaishnava texts (e.g. biographies of Chaitanya Mahaprabhu), and secular texts by Muslim poets (e.g. works of Alaol).Novels were introduced to Bengali literature in the mid-19th century. Rabindranath Tagore, poet, playwright, novelist, painter, essayist, musician, and social reformer, is the best known figure of Bengali literature to the world. He won the Nobel Prize for Literature in xxxx. After the post-partition era, Bengali literature comprises literature of erstwhile East Pakistan and modern-day Bangladesh and of Paschimbanga (West Bengal).Pre-Chaitanya or Early Vaishnava literature denotes the literature of the time preceding the time of Chaitanya Mahaprabhu, the founder of Gaudiya Vaishnavism. These include: Sri Krishna Kritana by Boru Chandidas; lyrical poems, known as the Vaishnava Padavali of Vidyapati and Chandidas; Sri Krishna Vijaya, the partial translation of Bhagavata Purana by Maladhar Basu and Krittivasi Ramayana by Krittivas Ojha.Basanta Ranjan Roy Bidyatvallava discovered the torn manuscript of the Sri Krishna Kirtana from the cowshed of Debendranath Chatterjee's house at Kakinlya village, Bankura district in modern-day Paschimbanga (West Bengal). Sri Krishna Kirtana was written by Boru Chandidas in the later half of 14th century CE. It is considered as the second oldest work of Bengali literature after Charyapada.The 15th century is marked by the emergence of Vaishnava lyrical poetry or the padavali in Bengal. The poetry of Vidyapati, the great Maithili poet, though not written in Bengali, influenced the literature of the time so greatly that it makes him a vital part of Middle Bengali literature. He flourished in the modern-day Darbhanga district of Bihar, India in the 14th century. His Vaishnava lyrics became very popular among the masses of Bengal. The first major Bengali poet to write Vaishnava lyrics was Chandidas, who belong to the modern-day Birbhum district (or, according to another opinion, Bankura district), Paschimbanga in the 15th century. Chandidas is also known for his humanist proclamation?"Sabar upare manush satya, tahar upare nai" The Bengali translations of two great Sanskrit texts the Bhagavata Purana and the Ramayana played a crucial role in the development of Middle Bengali literature. Maladhar Basu?s Sri Krishna Vijaya (??????????????, Triumph of Lord Krishna), which is chiefly a translation of the 10th and 11th cantos of the Bhagavata Purana, is the earliest Bengali narrative poem that can be assigned to a definite date.[2] Maladhar Basu flourished in the modern-day Bardhaman district of Paschimbanga in the 15th century.[2] Composed between xxxx and xxxx C.E.,[3] Sri Krishna Vijaya is also the oldest Bengali narrative poem of the Krishna legend.[2]The Ramayana, under the title of Sri Rama Panchali, more popularly known as the Krittibasi Ramayana, was translated by Krittibas Ojha who belonged to the modern-day Nadia district, Paschimbanga.[4] He also, like Maladhar Basu, flourished in the 15th century.[4]Post-Chaitanya or Late Vaishnava literature denotes the literature of the time succeceding the time of Chaitanya Mahaprabhu. These include: biographies of Chaitanya by Gaudiya Vaishnava scholar-poets and later Vaishnava Padavali with a special sub-genre based on the life of Chaitanya. Major figures of the Late Vaishnava literature are Krishnadasa Kaviraja, Vrindavana Dasa Thakura, Jayananda, Govindadasa, Jnandada, Balaram Dasa etc.Poems of Benediction"), a group of Hindu narrative poetry, composed more or less between 13th Century and 18th Century, eulogise the indigenous deities of rural Bengal in the social scenario of the Middle Ages. Manasa Mangal, Chandi Mangal and Dharma Mangal, the three major genus of Mangal-Kavya tradition include the portrayal of the magnitude of Manasa, Chandi and Dharmathakur, who are considered the greatest among all the native divinities in Bengal, respectively. There are also minor Mangalkavyas known as Shivayana, Kalika Mangal, Raya Mangal, Shashti Mangal, Sitala Mangal and Kamala Mangal etc. Majore poets of Mangalkavya tradition are Mukundaram Chakrabarty, Bijay Gupta, Rupram Chakrabarty etc.In the middle of 19th century, Bengali literature gained momentum. During this period, the Bengali Pandits of Fort William College did the tedious work of translating the text books in Bengali to help teach the British some Indian languages including Bengali. This work played a role in the background in the evolution of Bengali prose. In xxxx, Raja Ram Mohan Roy arrived in Calcutta and engaged in literary pursuits. Translating from Sanskrit to Bengali, writing essays on religious topics and publishing magazines were some the areas he focussed on. He established a cultural group in the name of 'Atmiya Sabha' (Club of Kins) in xxxx. Another significant contributor of Bengali literature in its early stage was Ishwar Chandra Bandyopadhyaya.In xxxx, the famous 'Sipahi Bidroha' (Sepoy Mutiny) took place. With the wind of it, 'Nil Bidroho' (Indigo Revolt) scattered all over then Bengal region. This Nil Bidroha lasted for more than a year (In xxxx-xxxx). The literature world was shaken with this revolt. In the light of this revolt, a great drama was published from Dhaka in the name of 'Nil Darpan' (The Indigo Mirror). Dinabandhu Mitra was the writer of this play.In this time, Michael Madhusudan Dutt emerged as the first epic-poet of modern Bengali literature. Dutt, a Christian by conversion, is best known for his Ramayana-based masterpiece, "The Slaying of Meghnadh," (in Bengali "Meghnadh Bodh Kabyo" (?????? ?? ?????)), which essentially follows in the poetic tradition of Milton's Paradise Lost. Those who have read it consider this work a world-class epic poem of the modern era. Michael Madhusudan Dutta is also credited with the introduction of sonnets to Bengali literature. He ruled the Bengali literature world for more than a decade (xxxx?xxxx). Dutt can also be credited to be a pioneer of the blank verse in Bengali literature. His style was deemed as "Amitrakshar Chhanda".Bankim Chandra Chattopadhyay (xxxx?xxxx) is considered one of the leading Bengali novelist and essayist of the 19th century. His first novel Durgeshnandini, considered a benchmark in the history of Bengali literature, was published in xxxx.[5] He also wrote "Vande Mataram", the national song of India, which appears in his novel Anandamath (xxxx).[5] His other novels include: Kapalkundala, Bishabriksha, Krishnakanter Will, Rajsingha, Devi Chaudhurani etc.[5] Bankim Chandra has critically analysed the Bhagavat Gita and the problems of Krishnaism from a historical perspective in his Dharmatattva (xxxx) and Krishna Charitra (xxxx).[5] Kamalakanter Daptar (xxxx) is one of his best known humorous sketches.[5]Bengali literature has also produced many other notable talents. For example, famous and popular Bengali poets include Ishwar Chandra Gupta, Biharilal Chakraborty, and Kaykobad. Romesh Chunder Dutt and Mir Mosharraf Hossain are notable for there works of ficiton. Girish Chandra Ghosh and Dwijendralal Ray were prominent playwrights of the time, whereas Akshay Kumar Boral and Ramendra Sundar Tribedi are famous for their influential essays.This era also saw a rise in new literary publications, magazines and newspapers. A number of educational institutes also appeared all over the region. Both these developments helped to nurture and advance the modern Bengali literary movement.The Pre-Tagore era also saw an undercurrent of popular literature which was focused on daily life in contemporary Bengal. The prose style, as well as the humour in these works, were often crass, blunt and accessible. A masterpiece in this regard was "Hutom Pechar Naksha" (The Sketch of the Owl) written by Kaliprasanna Singha, and satirically depicts "Babu" culture in 19th century Kolkata. Other notable works in this regard are "Alaler Ghorer Dulal" (The Spoilt Brat) by Peary Chand Mitra, "Ramtanu Lahiri o tatkalin Banga shamaj" (Ramtanu Lahiri & contemporary Bengali society) by Nyaymohan Tarkalankar, and "Naba Babu Bilas" & "Naba Bibi Bilas" by Bhabanicharan Bandopadhyay. These books arguably portrayed contemporary Bengali dialect and popular society effectively, and also incorporated now-extinct music genres such as Khisti, Kheur and Kabiyal gaan by stalwarts like Rupchand Pakhi and Bhola Moyra. Books like these have become rarer since the emergence of Tagore culture, and the burgeoning preference for literary elegance and refinement in Bengali society.[6]Possibly the most prolific writer in Bengali is Nobel laureate Rabindranath Tagore. Tagore dominated both the Bengali and Indian philosophical and literary scene for decades. His 2,000 Rabindrasangeets play a pivotal part in defining Bengali culture, both in West Bengal and Bangladesh. He is the author of the national anthems of both India and Bangladesh, both composed in Bengali. Other notable Bengali works of his are Gitanjali, a book of poems for which he was awarded the Nobel Prize for Literature in xxxx, and many short stories and a few novels. It is widely accepted that Bengali Literature accomplished its contemporary look by the writings and influence of Rabindranath.In the fields of Drama and Satire, he influenced and created a very worthy posterity of him in Natyaguru Nurul Momen. Nurul Momen was an educationist, playwright, director, humorist, lawyer, broadcaster, philanthropist and essayist of Bangladesh. He is recognized as the pioneer of modern Bengali drama,"acting as a bridge between earlier and later playwrights in terms of content and style", and even referred to as the "Father of Bangladeshi theater".In the similar category is Kazi Nazrul Islam, who was invited to post-partition Bangladesh as the National Poet (he had been suffering from dementia and aphasia since xxxx) and whose work transcends sectarian boundaries. Adored by Bengalis both in Bangladesh and West Bengal, his work includes 3,000 songs, known as both as nazrul geeti and "nazrul sangeet". He is frequently called the "rebel poet" mainly because of his most famous and electrifying poem "Bidrohi" or "The Rebel", and also because of his strong sympathy and support for revolutionary activities leading to India's independence from British Rule. His songs and poems were frequently used during the Bangladesh Liberation War as well. Though he is acknowledged as the rebel poet, Nazrul very effectively contributed in all branches of literature. He wrote poems that light the fire against inequality or injustice and at the same time is known for his poignant romantic poems as well. He wrote a lot of Islami Ghazals and in the same time wrote a number of Shyama Sangeet (songs for the Hindu Mother Goddess, Kali). Nazrul was not only a poet, he was writer, musician, journalist and philosopher. He was sent to jail for his literary works against the then prevailing British rule.was an educationist, playwright, director, humorist, lawyer, broadcaster, philanthropist and essayist of Bangladesh. He is recognized as the pioneer of modern Bengali drama, "acting as a bridge between earlier and later playwrights in terms of content and style", and even referred to as the "Father of Bangladeshi theatre".After Rabindranath Tagore, two dramatists radically brought about a major change in Bengali theatre. One was Nurul Momen and the other was Bijon Bhattacharya. Nurul Momen created the first modern and experimental plays from East Bengal, which later became East Pakistan and subsequently, Bangladesh. Nurul Momen (Bengali: ????? ?????) (November 25, xxxx ? February 16, xxxx), also known as Natyaguru recognized as the pioneer of modern Bengali drama, "acting as a bridge between earlier and later playwrights in terms of content and style", and even referred to as the "Father of Bangladeshi theatre".Sarat Chandra Chattopadhyay was one of the most popular novelists of early 20th century whose speciality was exploring life and sufferings of women in contemporary rural Bengal. His sympathy towards the common rural folks in "pallisamaj" and a trademark simplified Bengali as a writing style made him one of the most popular writer in his time. Even long after his death many Bengali and Bollywood blockbusters were based on his novels. After him Tarashankar Bandopadhyay, Bibhutibhushan Bandopadhyay, Manik Bandopadhyay, are the three Bandopadhyays who broke out into a new era of realistic writing style. Where the two of the above Bibhutibhusan and Manik had long standing influence on the two of the most brilliant film directors from Bengal, Satyajit Ray and Ritwik Ghatak respectively. Other famous Bengali novelists are Humayun Ahmed, Jagadish Gupta, Satinath Bhaduri, Balai Chand Mukhopadhyay (Banophool), Shawkat Osman, Saradindu Bandopadhyay, Kamal Kumar Majumdar, Sunil Gangopadhyay, Syed Shamsul Haque, Akhteruzzaman Elias, Sandipan Chattopadhyay, Shumotho Nath Ghosh, Gagendra Kumar Mitra, Bimal Mitra, Bimal Kar, Samaresh Basu, Mani Shankar Mukherjee (Shankar), Amar Mitra etc. Humayun Ahmed is one of the most popular Bengali writer of fiction and drama. Humayun Ahmed had a meteoric rise in Bengali literature. His first novel, Nondito Noroke was written while he was still a student of the University of Dhaka, gained immediate popularity and critical acclaim. Equally successful was his second novel, Shankhanil Karagar (tr: "The Conch-blue Prison"), later made into a successful film by Nasiruddin Yusuf. Humayun Ahmed went on to become one of the most prolific writers in Bengali literature.Humayun Ahmed often shows a fascination for creating stories around supernatural events; his style is characterized as magic realism.Seeds of Bengali science fiction could be observed in the writings of Jagadish Chandra Bose, which was later put into a definite genre by writers such as Jagadananda Roy, Hemlal Dutta, Begum Roquia Sakhawat Hussain,Mohammad Hedayetullah,Quazi Imdadul Haq and Premendra Mitra, Satyajit Ray. Professor Muhammed Zafar Iqbal, Sa. U. Ja. Md. Morshadul Kutub Chowdhury Maznu is the most popular science-fiction writer in Bengali literature. Humayun Ahmed and Abdullah-Al-Muti are also very popular in this genre.Satyajit Ray is also notable for his short stories where he revives the tradition of Thakurmar Jhuli into a mixture of fantasy, mystery, science, and fairy tale.regional novel also very rich Tarashankar Bandyopadhyaya manoj basu,amalendu chakrabarty, Phalguni Bhattacharyya etc.
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Jason Aldean, Luke Bryan, Eric Church, Miranda Lambert
EverBank Field
Jacksonville, FL
Saturday
6/14/xxxx
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Jason Aldean Tour Dates - xxxx Night Train Tour
George Strait & Jason Aldean
CenturyLink Center - LA
Bossier City, LA
Thursday
1/9/xxxx
7:30 PM
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Frank Erwin Center
Austin, TX
Friday
1/10/xxxx
7:30 PM
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Jason Aldean, Florida Georgia Line & Tyler Farr
Wells Fargo Arena - IA
Des Moines, IA
Thursday
1/16/xxxx
7:30 PM
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Xcel Energy Center
Saint Paul, MN
Friday
1/17/xxxx
7:30 PM
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I Wireless Center
Moline, IL
Saturday
1/18/xxxx
7:30 PM
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Jason Aldean, Florida Georgia Line & Tyler Farr
I Wireless Center
Moline, IL
Sunday
1/19/xxxx
7:30 PM
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Crown Coliseum - The Crown Center
Fayetteville, NC
Thursday
1/23/xxxx
7:30 PM
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Jason Aldean, Florida Georgia Line & Tyler Farr
John Paul Jones Arena
Charlottesville, VA
Friday
1/24/xxxx
7:30 PM
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Colonial Life Arena
Columbia, SC
Saturday
1/25/xxxx
7:30 PM
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Verizon Wireless Arena - NH
Manchester, NH
Thursday
1/30/xxxx
7:30 PM
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Jason Aldean, Florida Georgia Line & Tyler Farr
Baltimore Arena
Baltimore, MD
Saturday
2/1/xxxx
7:30 PM
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Copps Coliseum
Hamilton, Canada
Friday
2/7/xxxx
7:30 PM
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Budweiser Gardens
London, Canada
Saturday
2/8/xxxx
7:30 PM
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Canadian Tire Centre
Ottawa, Canada
Sunday
2/9/xxxx
7:30 PM
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Van Andel Arena
Grand Rapids, MI
Thursday
2/20/xxxx
7:30 PM
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Us Cellular Coliseum
Bloomington, IL
Friday
2/21/xxxx
7:30 PM
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Us Cellular Coliseum
Bloomington, IL
Saturday
2/22/xxxx
7:30 PM
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Springfield, MO
Thursday
2/27/xxxx
7:30 PM
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Sprint Center
Kansas City, MO
Friday
2/28/xxxx
7:30 PM
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The Wharf Amphitheatre
Orange Beach, AL
Friday
3/14/xxxx
7:30 PM
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The Wharf Amphitheatre
Orange Beach, AL
Saturday
3/15/xxxx
7:30 PM
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Stagecoach Festival - 3 Day Pass
Indio, CA
Friday
4/25/xxxx
TBD
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Stagecoach Festival: Jason Aldean & Hunter Hayes
Empire Polo Field
Indio, CA
Saturday
4/26/xxxx
TBD
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Jason Aldean, Florida Georgia Line & Tyler Farr
Bryce Jordan Center
University Park, PA
Friday
5/2/xxxx
7:30 PM
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Jason Aldean, Florida Georgia Line & Tyler Farr
Boardwalk Hall Arena - Boardwalk Hall
Atlantic City, NJ
Saturday
5/3/xxxx
7:30 PM
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Bayou Country Superfest - 3 Day Pass
Tiger Stadium - Baton Rouge
Baton Rouge, LA
Friday
5/23/xxxx
TBD
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Bayou Country Superfest - 2 Day Pass
Tiger Stadium - Baton Rouge
Baton Rouge, LA
Saturday
5/24/xxxx
TBD
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Bayou Country Superfest: Jason Aldean & Eric Church
Tiger Stadium - Baton Rouge
Baton Rouge, LA
Sunday
5/25/xxxx
5:00 PM
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George Strait, Alan Jackson, Kenny Chesney & Faith Hill
AT&T Stadium
Arlington, TX
Saturday
6/7/xxxx
TBD
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Florida Country Superfest - 2 Day Pass: Jason Aldean, Luke Bryan, Eric Church, Miranda Lambert
EverBank Field
Jacksonville, FL
Saturday
6/14/xxxx
TBD
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